“Psychedelic Summer” by Tonglay Jean
Photograph, © 2022 by Tonglay Jean

POETRY
Christopher Buckley – “All the While”
Dane Cervine – “Second Thoughts on the Spiritual Path”
Emmanuelle Christie – “Adulterous Women”
Douglas Cole – “Riding out the Night Listening to Comedians”
Kathie Collins – “Yadkin Valley”
Alexis Rhone Fancher – “On Fire”
Melanie Faranello – “Paper Tiger”
Mara Lee Grayson – “Call It Coping, Call It What You Will”
Joseph Hutchison – “Mindfulness”
Luke Johnson – “Dark”
Adele Kenny – “In Which the Sky”
Brooke Lehmann – “To the Woman in the Salt”
Julia B. Levine – “On the Vireo Nest Atop Your Wire Brush”
kerry rawlinson – “feed me”
stephanie roberts – “Nothing of the Month Club”
Hannah Seo – “Nocturnal vanishing act”
Maureen Sherbondy – “The Article”
Christopher Shipman – “Fog of Tongues”
Martha Silano – “What I Wished For”
Gary Soto – “Dog Years”
Barbara Ungar – “How to Age Gracefully”
Zachariah Claypole White – “A Catalogue of Moments as Told to My Bedroom Window”
Rose Maria Woodson – “Myth”
Chryss Yost – “Bluster”
Tanya L. Young – “Two Foxes”
REVIEWS
Gloria Gervitz’s Migrations: Poem, 1976-2020,
Reviewed by Maria Rouphail
Robert Fillman’s House Bird,
Reviewed by Brian Fanelli
Vivian Faith Prescott’s Old Woman with Berries in Her Lap,
Reviewed by Vivian Wagner
Charles Rammelkamp’s The Field of Happiness,
Reviewed by David E. Poston
Pamela Wax’s Walking the Labyrinth,
Reviewed by Merryn Rutledge
Ra Malika Imhotep’s gossypiin,
Reviewed by Erica Goss
Leonard Gontarek’s The Long Way Home,
Reviewed by Vivian Wagner
Charlotte Muse’s In Which I Forgive the River,
Reviewed by Lee Rossi
Bruce Bond’s patmos,
Reviewed by David E. Poston
Chanel Brenner’s Smile or else,
Reviewed by Ann Wehrman
Alexis Jackson’s My Sisters’ Country,
Reviewed by Brian Fanelli