“Into the Wind” by Alexis Rhone Fancher
Photograph, www.alexisrhonefancher.com
© 2020 by Alexis Rhone Fancher

 

POETRY
Editors’ Introductions
Sara Backer – “History”
Craig Beaven – “Speech, Therapy”
Bruce Bond – “Cathedral”
Laure-Anne Bosselaar – “Complaint About Missing Friends after Eight Months of the Pandemic”
Kristy Bowen – “Plane Missing Since 1939 Lands”
Amanda J. Bradley – “Escape Artist”
Dane Cervine – “Wisdom Template”
Marsha de la O – “A History of Lament”
Tony Gloeggler – “New School Old School”
William Greenway – “Quarantines”
Romana Iorga – “Golem”
Stefan Lovasik – “The Noble Science of Trauma”
Paula C. Lowe – “Sourdough Starter / Heal”
Ashley Mallick – “The morning after I rejected my best friend’s proposal of marriage at Union Station”
Candace Pearson – “The Twin Bed”
Molly Pershin Raynor – “You Know You’ve Got Covid Brain”
Heidi Seaborn – “Burning the Evidence of Our Existence”
Stuart Jay Silverman – “Workday”
Amy Small-McKinney – “How to Love the World, Anyway”
George Wallace – “Hauling Coal in Paradise”
Francine Witte – “Definition”
REVIEWS
Ali Black’s If It Heals at All,
Reviewed by Erica Goss
Alison Stone’s Zombies at the Disco,
Reviewed by Shawn Pavey
Lynn Levin’s The Minor Virtues,
Reviewed by Ann Wehrman
Bill Yake’s Waymaking by Moonlight: New and Selected Poems,
Reviewed by Vivian Wagner
Leila Chatti’s Deluge,
Reviewed by Maria Rouphail
John Amen – “My Favorite Albums of 2020”
Keith Flynn’s The Skin of Meaning,
Reviewed by David E. Poston
Matthew Mumber’s In the Awakening Season,
Reviewed by Maria Rouphail
Julie E. Bloemeke’s Slide to Unlock,
Reviewed by Vivian Wagner
Jen Karetnick’s The Burning Where Breath Used to Be,
Reviewed by Ann Wehrman
Heather Swan’s A Kinship with Ash,
Reviewed by Erica Goss
Roy Bentley’s My Mother’s Red Ford: New & Selected Poems 1986-2020,
Reviewed by Brian Fanelli