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Issue 94

More In This Issue

Lesley Wheeler’s Mycocosmic, Reviewed by Laurie Kuntz
Scott Ferry’s Sapphires on the Graves, Reviewed by Rebecca Patrascu
Joan Kwon Glass’s Daughter of Three Gone Kingdoms, Reviewed by Elisabeth Adwin Edwards
Jan Beatty’s Dragstripping, Reviewed by Erica Goss
Jeanne Wagner – Vocabulary Lessons
Jared Smith – A Heavy Weight to Carry
Olga Livshin – 2023
Jennifer Isaacs – Subjacency
Ken Holland – How Quiet the Words
Diane Gottlieb – Like the Woman Who Drove to Work Crying in Her Car
Steve Cushman – December, 1974, West Wareham, Massachusetts
Charles Rammelkamp’s The Trapeze of Your Flesh, Reviewed by Robert Cooperman
Gerald Locklin’s requiem for the toad: selected poems, Reviewed by Shawn Pavey
Irene Blair Honeycutt’s Mountains of the Moon, Reviewed by Rebecca Patrascu
Maddie Clevenstine – Ask Me About Hell
Carine Topal – What Are You Looking At?
Kim Addonizio’s Exit Opera, Reviewed by Erica Goss
Yehoshua November’s The Concealment of Endless Light, Reviewed by Vivian Wagner
Dorianne Laux’s Life on Earth, Reviewed by Lee Rossi
Rosa Lane’s Called Back, Reviewed by Frank Paino
Michael Spring – hospital walls, 3am
Mara Lee Grayson – Cross-Country Hydatidiform
Catherine Gonick – Sister Mary Joseph Serves Lunch in Ávila
Theodora Ziolkowski – Pregnancy Doll
Kathy Goodkin – Antinarrative
Tarn Wilson – First Marriage
Michelle Bitting – Lost in the Disco Ball
Mary Makofske – Risky Decisions Make the Best Stories
Louie Leyson – Love Poem: Lucifer
Clint Margrave – Syllabics
Rebecca Faulkner – Empty Nest
Alan Britt – Giraffe-Spotted Junonia Shell
Mayookh Barua – A Car and a Teacup